Yesterday, I happened across this May 10th article by Andy Hunsaker. It talks about his chat with comics writer, and legend in his own time, Grant Morrison. The topic of Andy & Grant’s conversation centered around two of Grant’s upcoming projects: “Wonder Woman: Earth One,” and also “Multiversity.” Now, if any of you know me, you know that I can go on and on for hours upon hours about anything Wonder Woman related. Therefore, I’m going to stick to “Multiversity” and try to make this article short and sweet by getting to the point as soon as possible.

This new “Multiversity” epic project is scheduled to release the 1st issue in August of this year. It’s going to have rotating art teams, and most of all it will be a comprehensive guide to the many worlds of the DC multi-verse. I can’t tell you how excited I am about this. However, in my day job, I’m an actor. This means in order to formulate opinions about things, I more often than not default to the human condition to be my predictor of events. In this case, I’m sorry to say, but to me the future is looking grim. Here’s why:
In 1985 DC Comics had the CRISIS on INFINITE EARTHS. This was used as a tool to remove all the confusion from their infinite versions of characters, by collapsing all of the universes into one simple universe (Why they ever went away from this logical, common sense, and reasonable solution I’ll NEVER understand).
Crisis on Infinite Earths Art by Alex Ross
In 1994 ZERO HOUR is brought to life and a new timeline emerges (This is what I call, ‘uh-oh. here we go again’).
Zero Hour Cover #1
In 2005 INFINITE CRISIS, which is a kind of sequel to CRISIS on INFINITE EARTHS, happens and history is forever altered because the multi-verse is revisited.
Infinite Crisis Artwork by Phil Jimenez
In 2008 FINAL CRISIS deals with Darkseid’s plot to overthrow reality, and leads to the death and corruption of various DC characters and their universes.
Final Crisis Cover
In 2011 FLASHPOINT was released and it paved the way for a change in the reality of the DC Universe and it’s characters, also known as…
Flashpoint cover #!
2011’s NEW 52…I won’t even say what I’m thinking about that. (I will. It’s awful. – Ed)
Justice Leage cover of DC’s New 52
So, here we are in the year of our Lord(s) 2014, and we are about to get an exciting new epic project released to us which breaks down the New 52 multi-verse. It will give you the ins n outs, dos n don’t, and ups n downs of this fantastic realm. A “Hitchhikers Guide to the New 52,” if you will. However, this is where I feel that the future might be looking grim. Oh, and as promised, will get right to the point.
My question to the audience is this: If DC Comics keeps doing all of these reboots every few years to a decade, and everything that we know about this character is all just going to change again soon, what reason do we (you) as readers have to be invested? If everything is changing all the time, won’t the reader base change with it? DC could be left with losing as many fans as titles they’ve cancelled.
DC’s New 52 Lineup
Multiversity Preview Cover
 Brian Patterson is an actor and producer who splits his time between Los Angeles and San Francisco. He’s been a geek his whole life, and his house is covered in pictures of Wonder Woman and Xena.

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Brian J. Patterson
Brian J. Patterson (contributing writer) is a commercial, film, and theatre actor based in California. He works in both Los Angeles and the San Francisco Bay Area, with some appearances in New York City. His writing for Ace Of Geeks primarily centers around awareness of diversity and positive representation in entertainment. A self proclaimed ‘geek’ having proudly accumulated a comic book collection which has surpassed a net worth of approximately $12K, Brian usually focuses on the ‘comics (or sci-fi) 2 film’ genre. He is honored to have been given the opportunity to work with AceOfGeeks, loves geek culture, and especially loves interacting with fans. His three life dreams are: 1) to be cast as a lead character on a Sci-Fi channel show, 2) be the first openly gay action-film star, and 3) later host a television show which explores diversity within geek culture. You can connect with Brian on all his social media accounts by visiting

One thought on “FINAL CRISIS on INFINITE MULTIVERSITY – by Brian J. Patterson

  1. “Change ist the only constant”
    The publishers get the biggest attention, if something big changes. Readers unfortunately don’t find it interesting anymore, if a story is just good. It has to mean something for the continuity. The extremest way, if a character dies for example.
    So after every Crisis-break the authors have to veer away from the original reboot idea to keep the stories interesting. Subsequently everything gets more complicated, continuity fails appear etc. And then every 10 – now every 5 years – a reboot is necessary.
    I think the main audience will actually stay or come back luckily sooner or later. But if some change is not in the sense of the audience, there is a lot of hate. It’s not that people say “I don’t like it” it’s at once “I hate it”. (Just if you take a look at the New 52 reactions of older readers, that didn’t buy any book before anyways. So the sales were low. DC changed something in a big way. But these old readers wanted to have the status of the DC universe like 20 or 30 years before – without any changes. But that concept does not sell comics. If you want to read old stories – go read those old books.)

    I am from Europe, and I recognize a lot of polarization in the US. To me Americans seem to be have to love something or to hate it. And on top of that you always have to chose one side. And often that is pretty extreme. If you love DC, you hate Marvel. If you love Britney you hate Christina. etc. It seems like American culture is build upon a “vs-system”. This gets the biggest attention. (Avengers vs X-Men, Batman vs. Superman, JL vs. Suicide Squad, Michael Jackson vs. Prince)
    Just a note – without the need of loving or hating it 😉

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